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‘Love and Other Magic’ – Matthew Spence

Madame Tansy was a self-described witch who lived in a quiet cul de sac on the edge of town, next to a stretch of wild, untamed forest. She wasn’t the kind of witch with green skin or a crooked hat (though she did own one for Halloween). No, Tansy was a “rent-a-witch,” the kind you could book for hexes, blessings, house clearings, or an herbal sachet to keep your mother-in-law from dropping by unannounced.

She had business cards printed on pressed lavender paper that read:

Madame Tansy
Rent-a-Witch Services
“No problem too big, too small, or too weird.”
Love spells, luck charms, cursed item removal, spirit negotiations.
Inquire within. No refunds.

Her house was full of ivy, cats that came and went, jars that rattled on their own, and the smell of rosemary and old books. She had a steady stream of clients—lonely folks, skeptical teens, desperate exes, and the occasional conspiracy theorist.

One gray spring morning, a knock came at her door. She opened it to find a couple—mid-thirties, respectable in the way freshly ironed people are. The woman introduced herself as Rachel, and her husband as Tom. Their smiles didn’t match. Rachel’s was tense and too quick. Tom’s was hesitant, as if he had lost the knack for it.

“We’re here,” Rachel said carefully, “about a love spell.”

Tansy raised an eyebrow. “You want to fall in love again?”

Rachel laughed nervously. “No. We already are. Were. We just… We’ve been having problems. Fights. Distance. And we thought maybe some magic could help.”

Tom cleared his throat. “We’re not superstitious or anything. But we figured… can’t hurt, right?”

Tansy smiled a smile that had seen many such requests. “Love spells don’t make love. They stir it up, pull it forward. Sometimes that’s good. Sometimes…” She let the sentence trail into the scent of burning mugwort. “Come in.”

They sat in her cluttered parlor. Rachel held Tom’s hand tightly, as if it might disappear. Tansy mixed herbs—damiana, rose, cinnamon, vervain—into a clay bowl, murmuring words older than fences and plastic. When the ritual was complete, she gave them each a charm: tiny glass hearts with
threads of red thread wound inside.

“Sleep with these under your pillow. For three nights. Then come back.”

They left, hopeful, wary, relieved.

Three days passed. They returned. Tansy opened the door before they knocked.

“Well?” she asked.

Rachel’s eyes were red. Tom looked tired.

“We didn’t fight,” Rachel said.

“But we didn’t talk either,” Tom added.

“It’s like the spell made everything quiet. But not… fixed.”

Tansy nodded slowly. “Love’s not a potion, darlings. It’s a garden. You don’t pour glitter on dead roots and expect roses.”

Tom blinked. “So what do we do?”

Tansy motioned for them to sit again. This time she didn’t reach for herbs.
She reached for a deck of soft, worn cards. Tarot.

“Let’s see what kind of magic you really need.”

She dealt three cards. The Lovers—reversed. The Tower. The Wheel of Fortune.

“Oof,” Tansy muttered. “That’s not hearts and roses.”

“What does it mean?” Rachel asked, gripping Tom’s hand again, this time less out of love and more like a reflex.

“It means something broke,” Tansy said gently. “Or needs to. Not your marriage necessarily—but a pattern. Something between you that’s been holding everything else hostage.”

Tom looked down. “My job keeps me traveling. I’ve been gone more than I’ve been home.”

Rachel didn’t say anything, but the air tightened. Tansy leaned forward. “You want the real magic? Try this. Every night for a week, write one truth on a piece of paper. About yourself. Not each other. Something you’ve
been too afraid to say aloud.”

Rachel frowned. “That’s not really a spell.”

“Oh honey,” Tansy said with a knowing smirk, “Truth is the most dangerous magic there is. Especially between two people who want to love each other.”

They left, not smiling, but thoughtful.

Weeks passed. Tansy forgot about them in the way one forgets leaves on a river. She had other clients—one woman needed her haunted coffee table exorcised, another needed a spell to stop attracting narcissists.

Then, one sunny afternoon, she found a note slipped under her door. It read: “We did what you said. It hurt. It healed. He’s quitting his job. I’m starting my art again. We don’t need the spell anymore. But thank you for the real magic.—R & T”

Tansy smiled and tucked the note into a drawer full of similar things—thank-you notes, old photos, tiny tokens.

Because sometimes the best magic wasn’t found in cauldrons or candles.

Sometimes it was found in courage.

And truth.

And the quiet work of choosing each other again.

Every day.

Just like magic.

About Matthew Spence

Matthew Spence was born in Cleveland, Ohio. His work has most recently appeared in Gaslamp Pulp.

Website: https://www.facebook.com/WestVirginiaRebel


Get featured on the blog. Submit your work today!

Submissions are open for ‘A Warm Mug of Cozy: Volume 3’!

Hello everyone,

Happy new year! We wish you the best for 2025, especially great success with all your writing endeavours. We also hope that you had a wonderful holiday season. 

This email is your official invitation to submit your work for potential inclusion in Volume 3 of our annual Warm Mug of Cozy Anthology. We are starting things early this year because our goal is to try and release two volumes this year! 

Our official submission guidelines can be found here: https://warmmugofcozy.com/anthology-submission

Please submit to us no later than March 31, 2025. 

We can’t wait to read your gripping stories again! 

Cendrine & David

The Warm Mug of Cozy Anthology: Focus on Sam Morris

Welcome to our mini-series on A Warm Mug of Cozy Anthology, which celebrates the writers whose stories are featured in Volume 2 of our yearly anthology.

Today, Sam is sharing what inspired his story “A Terrible Murder.”

The main inspiration for “A Terrible Murder,” was to tell the story from the murderer’s perspective. Like everything, it’s been done before, but I hoped it would be a novel and interesting approach for me at least. After all, surely one reason we all love crime fiction is the fascination of what goes on in the killer’s head. Why do they murder people and how can they justify it? The immediate problem with this approach was, if this was to be a cosy crime tale, the murderer couldn’t be a nasty or vindictive person, because that wouldn’t be fun or cosy at all. The murderer had to be mostly likeable, have a good reason for their actions and be able to provoke at least some sympathy from the reader.


The solution was to make them a thoroughly incompetent murderer and for everything to go very wrong for them right from the beginning, despite their best efforts. The story proved fun to write. I hope you enjoy reading it too! 

Sam Morris is a UK-based writer who also happens to have a day job and a family. His work was recently shortlisted in the English Heritage Ghost Story competition, and highly commended in the Essex Book festival’s Crime Short Story Competition.

Thank you for sending us your story, Sam! We know people will love reading it as much as we have!

Today’s post completes our series for this year. See you in 2025 for the third volume of our Anthology! In the meantime, don’t forget to order your copy of Volume 2.

Cendrine & David

The Warm Mug of Cozy Anthology: Focus on Ian Tucker

Welcome to our mini-series on A Warm Mug of Cozy Anthology, which celebrates the writers whose stories are featured in Volume 2 of our yearly anthology.

Today, Ian Tucker is sharing what inspired his stories “Whispers in Bars” and “The Old Book.”

Both the stories entered are intended to be classic whodunnits with a traditional cozy sleuth living in a modern but largely sanitized world.  The stories are therefore essentially golden age structures taking into account how the world has moved on in 80-90 years.  They are intended as puzzles where the pieces are all available (no ‘psychology of the individual’ insights, dependence upon confessions or last minute telegrams from Somerset House allowed). James Hamilton Ross himself is no prodigy of a Sherlock or Marple type, because I’ve never met any people who are actually like that. Instead he is a common sense thinker, who could be anyone, provided they take the time to tot up the clues.  If Hamilton can solve it, then the reader can too.  


Hamilton is also no flag carrier for the law or doctrines. There are no worthy speeches from Catholic priests about criminals saving their souls, because that would seem anachronistic now. For the whodunnit set in a world where morals don’t have the hard edges they had during the golden age, the sleuth necessarily operates in a more flexible and shifting context. Hamilton himself feels no confidence in traditional interpretations of justice or loyalty to them. He is a modern cynic, a free actor who takes action as he sees fit and applies his own judgement to the consequences. He consequently resolves rather than solves crimes and he does so as he sees fit. He is as likely to let the culprit go as he brings in the police and he certainly isn’t going to try to reform or change anyone.


Overall, however, these stories are intended to be entertaining rather than having any message or world view to impart. They are apolitical. And sometimes, I hope, they are funny.


Ian Tucker writes crime mysteries and humour with a focus on the puzzle to be solved. He has completed three full-length novels and numerous short stories and continues to write for fun.

Website: http://tilebury.com

Thank you for sending us your stories, Ian! We know people will love reading it as much as we have.

In the meantime, don’t forget to order your copy of A Warm Mug of Cozy Anthology: Volume 2.

Cendrine & David

The Warm Mug of Cozy Anthology: Focus on Julie A. Sellers

Welcome to our mini-series on A Warm Mug of Cozy Anthology, which celebrates the writers whose stories are featured in Volume 2 of our yearly anthology.

Today, Julie A. Sellers is sharing what inspired her story “The Takedown.”

Everyone has probably had one of those coworkers—an insufferable individual with a nails-on-a-chalkboard personality that blends utter incompetence with bootlicking and credit stealing. I certainly have, and in truth, I’ve known more than one in my years in the workforce. I’ve often imagined what it would be like if such a detestable colleague finally met his comeuppance. “The Takedown” was inspired by this line of thought as I envisioned poetic justice for all those coworkers.


Julie A. Sellers is the author of the 2023 High Plains Book Award Finalist novel Ann of Sunflower Lane (Meadowlark Press, 2022) and Kindred Verse: Poems Inspired by Anne of Green Gables (Blue Cedar Press, 2021). She was the Kansas Author’s Club’s Prose Writer of the Year (2020, 2022, 2023), and the Kansas Voices Contest Overall Winner in Poetry (2022) and Prose (2017, 2019). Julie’s creative prose and poetry have appeared in publications such as Flint Hills Review, Kansas City Voices, 105 Meadowlark Reader, Cagibi, Wanderlust, A Warm Mug of Cozy: Volume 1, Journal of L.M. Montgomery Studies, Unlost, The Very Edge, and Kansas Time + Place.

Julie was born and raised in the Flint Hills near the small town of Florence, Kansas. Those great expanses of tallgrass prairie and reading fueled her imagination, and she began writing at an early age. After living in several states and countries, she is happy to make her home in Atchison, KS.

Website: https://julieasellers.com

Thank you for sending us your story, Julie! We know people will love reading it as much as we have.

In the meantime, don’t forget to order your copy of A Warm Mug of Cozy Anthology: Volume 2.

Cendrine & David

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