An Update about The Auroras & Blossoms Magazine

Hello everyone,

We hope that you had a wonderful holiday season. We wish you the best for 2024!

We have some news regarding our magazine. The minimum number of qualifying entries for issue 2 has not been reached. As a matter of fact, we received so many irrelevant submissions that we almost missed the few great ones that landed in our inbox!

As you can imagine, this was not fun for us. Writing this post is not our idea of fun either.

We do not believe in censoring people. Everyone is allowed to write on the topic(s) of their choice. However, if your goal is to be published in a magazine, you must be willing to read and follow guidelines. Editors cannot bend over backwards to accommodate you without potentially compromising the quality and integrity of their editorial policy.

Like any other platform that runs a magazine and / or anthology series, Auroras & Blossoms has very specific rules in place. One of them is: family-friendly, uplifting, and inspiring content only.

And yet, many seem to think that we should accept anything that goes counter to that particular rule.

We cannot prevent spammy submissions or unacceptable demands from reaching our inbox. However, we have the right to state that what the people who send them are doing is a disservice to their fellow creatives.

Two years ago, when we had to deal with similar issues, we were forced to take a long break in order to evaluate our options. We almost closed A&B as a result.

Let us tell you this: It will not happen again!

While we would love to continue publishing as many creatives as we possibly can, we have to be honest. We are tired of bad behaviors. Our time is also limited, so we need to ensure that it is managed properly. That is the reason why we have decided to become more selective.

You sent us a very large number of beautiful haiku/senryu for our Haiku Anthology Series in 2023. Each submitter was kind, professional and respectful. As a matter of fact, it was our most pleasant experience as editors in four years.

As huge fans of haiku and senryu ourselves, we believe that our magazine would benefit from turning its focus towards these specific forms.

So, from today onwards, we will only consider submissions of haiku and senryu for our magazine. Our submission guidelines have been edited to reflect that change.

With that said, for those interested in sending us other types of poetry, as well as stories, you are more than welcome to apply to become a contributor to our yearly PoArtMo Anthology Series. Our flagship publication is not going anywhere! One note of caution, though. Spots are limited to only a few participants every year.

Have a wonderful day!

The Auroras & Blossoms Magazine: Issue 1 Is Out!

Hello everyone,

Today marks a new milestone in the Auroras & Blossoms journey. Our magazine is officially back!

The Auroras & Blossoms Magazine: Issue 1 features poetry and stories by Dianne Alvine, Kristen Balyeat, Lisa Braxton, Clare Chai, Sian Clutton, Mackenzie Davis, Jazzy Goncalves, Louis Hill, Jacob Kolasch, Ashley Lima, Maureen Y. Palmer, Marley Ramon, Marjolein Rotsteeg, and Ba Seoighe.

The winner of this issue’s best submission is Jacob Kolasch. You do not want to miss his interview, which is also included!

The Auroras & Blossoms Magazine: Issue 1 is available as an ebook for $1.99 per copy. Click below to order it at your favorite online store.

NB: We do not accept direct payment for the anthology. You have to purchase directly from one of the online stores on the page. That is how our contributors can be paid.

That’s it for today. Have a wonderful week!

——

Interested in being in the next issue of our magazine? We would love to hear from you! Click the image below for more information.

The PoArtMo Anthology Series: Interview with Azelle Elric

Hello everyone!

Welcome to our PoArtMo Anthology Series, which celebrates the artists whose work appears in The Auroras & Blossoms PoArtMo Anthology: Volume 4.

Today’s guest is Azelle Elric. She contributed pieces of art to our anthology.

Auroras & Blossoms: Tell us all about the inspiration behind your pieces.

Firstly, thank you very much for this collab! To work with you all on a PoArtMo Anthology is always a pleasure!

In most of my drawings, I am inspired by Art Nouveau artistic movement and Mucha’s symbolism, particularly long-stylized, wavering hair that I find calming to draw! “Rapunzel” is my own little challenge to draw an illustration inspired by a fairy tale. Using pencil and blending stump was particularly satisfying in an attempt to transcribe a magical/ethereal atmosphere (or so I hope at least LOL!).

A&B: How does a poem, story or creative piece of art begin for you? Does it start with an image, a form or a particular theme?

Most of the time it happens by accident, with papers and inks, or whatever is in my kitchen. “What if I put turmeric powder on a wet blank paper?” “What about mixing tea and blue ink?” lol! There are a lot of random results in my creations, I find it particularly entertaining to mix several techniques and see the final results of these experimentations! It is all the more entertaining, since these results would be totally different while using the same products from one work to another.

A&B: What is your own artistic background?

While looking back at my artistic path, I can pinpoint two main influences in my artistic work, Mucha who is one of my favourite artist and Japanese animation.

I admire everything about Mucha’s artwork: his use of colours, his precise and delicate style, his wonderful ability, and facility to suggest movements and fluidity within a static picture! “Cycles Perfecta” (an advertising poster for a British company manufacturing bicycles) is a perfect example. The female figure with its stylised wavering golden hair suggests both motion and trepidation, while riding a bike.

The second pillar of my artistic growth is without a doubt Japanese animation and Japanese culture. Since childhood, Japanese animation always fascinated me because of its storytelling and their designs that I found more aesthetic than most Western productions (even now I still think the same way! I am not very objective on that, LOL!)

For instance, CLAMP is for me an amazing Japanese collective art group of four female mangaka. I found their artwork absolutely fabulous! It is a beautiful artistic parallel with Mucha and the Art nouveau artistic movement.

A&B: Does your work have any specific themes or social commentary we should identify with?

Not really! It is just a need to doodle at first, I really love to experiment with things. Maybe I have a real interest with feminine faces and their transformations.

I love to challenge myself, since 2010 I try my best to do one doodle a day, the easiest thing to draw was feminine faces with floating hair (LOL!). Several weeks ago, one of my friends told me that my art was interesting, since while drawing more or less the same type of things, the results were always different.

So, I ask of myself to push my own limits and discover new artistic techniques: pencils, fountain pens, pens, watercolour pencils, calligraphic pens, ink, coffee, or tea stains…all of these materials I have dabbled with, and it has been an amazing journey for me. However, I have never tried collages, digital drawings or digital paintings though. Maybe I should have a try at them one of these days. After all, the first step is always the hardest but the most rewarding!

A&B: Tell us the most positive and uplifting advice you have been given while working as a creative person.

The most uplifting advice? Maybe “never give up” or “do what you love”, two pieces of advice given by my best friend a long time ago. It is plain and simple. To be original among other artists in these times when social media networks spread at top speed is difficult and complicated!

However, if I could add my own artistic touch among other artists and to be able to brighten the day of someone looking at my art, I would be extremely grateful for these opportunities.

Bio:

Azelle Elric is a happy French girl who loves cats, Japanese animation, and drawing.

Website: https://www.instagram.com/elric_azelle

Azelle, thank you for answering our questions and supporting Auroras & Blossoms! We know that people will love your work as much as we do!

The Auroras & Blossoms PoArtMo Anthology: Volume 4 is available! Click here to purchase your copy.

The PoArtMo Anthology Series: Interview with Cendrine Marrouat

Hello everyone!

Welcome to our PoArtMo Anthology Series, which celebrates the artists whose work appears in The Auroras & Blossoms PoArtMo Anthology: Volume 4.

Today’s guest is Cendrine Marrouat, who is a co-founder of Auroras & Blossoms. She contributed several poems and flashku to our anthology.

Auroras & Blossoms: Tell us all about the inspiration behind your pieces.

Cendrine Marrouat: My goal has always been to inspire whoever reads me or looks at my visual art. To me, being an artist transcends creation. I want to share important life lessons so others are encouraged to question their own outlook.

All the vardhaku in this volume come from an unfinished project based on nature and the seasons. My other poems talk about the importance of self-love. Finally, my flashku, which are short forms of flash fiction inspired by images, freeze a moment in time in order to deliver a stirring message.

A&B: How does a poem, story or creative piece of art begin for you? Does it start with an image, a form or a particular theme?

CM: As a multidisciplinary artist, I find this question difficult to answer. When I take photos, I hear words in my mind. When I write, I see images. And when I paint or work on a digital piece, it is a mixture of both.

The only constant in my artistic life has been the need for finding a title before starting any project.

A&B: What is your own artistic background?

CM: English is not my mother tongue, but I am a former English major. I hold a Bachelor’s Degree in English-to-French translation. My linguistic training has played a major role in shaping my style and teaching me how to write in an impactful manner.

However, when it comes to photography, digital art, and painting, I am completely self-taught. I watch tutorials and ask questions, but mostly learn through practice. I love going with the flow!

A&B: Does your work have any specific themes or social commentary we should identify with?

CM: As a writer who seeks to inspire people, the recurrent themes in my work revolve around the importance of self-love and mental well-being. I have released several books that deal with topics like death, suicide, and depression. I want to normalize challenging conversations.

My photography and paintings mostly focus on nature and details that we tend to overlook. Finally, my work with fractals is geared towards our connection with the universe.

A&B: Tell us the most positive and uplifting advice you have been given while working as a creative person.

CM: “Welcome imperfections and embrace mistakes” and “If you do your absolute best, you will never fail”. 🙂

Bio:

Cendrine Marrouat is a French-born Canadian photographer, poet, digital artist, and the multi-genre author of 40+ books. In 2019, she co-founded Auroras & Blossoms and PoArtMo with David Ellis. She is also the (co-)creator of several literary forms and a type of digital image.

Cendrine writes both in French and English and has worked in many different fields in her 20-year career, including translation, language instruction, journalism, art reviews, and social media.

Website: https://creativeramblings.com

Cendrine, thank you for answering our questions and supporting Auroras & Blossoms! We know that people will love your work as much as we do!

The Auroras & Blossoms PoArtMo Anthology: Volume 4 is available! Click here to purchase your copy.

The PoArtMo Anthology Series: Interview with David Ellis

Hello everyone!

Welcome to our PoArtMo Anthology Series, which celebrates the artists whose work appears in The Auroras & Blossoms PoArtMo Anthology: Volume 4.

Today’s guest is David Ellis, who is a co-founder of Auroras & Blossoms. He contributed several poems to our anthology.

Auroras & Blossoms: Tell us all about the inspiration behind your pieces.

David Ellis: My inspiration comes from many diverse sources. I try to keep a very open mind. I can be motivated by lots of things at once, providing that I have some prompt ideas and access to the internet! As this is now the fourth volume of our PoArtMo Anthology, it is important for us to keep the material fresh, different and vibrant each time we collaborate with artists on this project.

Cendrine & I work on so many varied collaborative projects together, we usually have an abundance of conceptual ideas that can all co-exist at the same time, which then helps us to compile some of these ideas into exciting collections.

The ‘Vardhakus’ that I have written for this volume were influenced by Cendrine’s autumnal poems. We used winter/water as key themes and therefore were a considerable influence on each other, so they dovetail very nicely in this collection. Cendrine co-created this amazing form herself with another fellow writer, we heartily encourage people to attempt it themselves!

I also attempted my first ‘Sepigram’ poem (which was solely created by Cendrine) and merged it with my Greek heritage, selecting a fairy tale as my ultimate form of inspiration for the piece. I enjoy exploring poetic forms with mathematical structures and combining/inserting words into them, it is like solving a literary puzzle piece by piece.

Finally, my found poetry pieces (blackout poetry/found poetry is a speciality and passion of mine) were inspired by the poems of Toni Morrison, a very remarkable lady full of integrity. While she did not write much poetry in her lifetime, her poems are all very moving in the extreme and she leaves a strong literary legacy in her wake as well. I hope that the sincerity of my own poems do her justice and honour her memory.

A&B: How does a poem, story or creative piece of art begin for you? Does it start with an image, a form or a particular theme?

DE: I would say that usually a poem begins for me with a particular theme. I will then look to explore a form for that theme and attach an image later that coyly describes what the poem is going to be about. I do this as I do not want to give everything away from the image or title, as to be too literal with it could rob the poem of any mystery/romance/intrigue. You want the reader to use their imagination when they encounter your work to make it a more interesting experience for them.

However, in the past I have experimented with new forms that are unfamiliar to me, which in turn I will then apply a theme to them. This has definitely been the case when I have been trying out Cendrine poetry forms, in order to master them.

If I choose to write a poem based on an image, I will try to imagine a story that the image evokes to then give me a framework to enable me to write a themed poem about it.

All three choices are valid creative paths, so you might as well pick the one at the time that suits your creative mood the most and run with it.

A&B: What is your own artistic background?

DE: I am primarily a writer of found poetry with several books to my name that have been published. I am also the co-founder and co-editor of Auroras & Blossoms with Cendrine Marrouat. We have over thirty publications to date spanning anthologies, marketing guides, journals and creative prompt books to name a few.

A&B: Does your work have any specific themes or social commentary we should identify with?

DE: My pieces are constantly filled with positivity, romance, self-confidence boosting and stimulation of profound thought. I will always be a champion of the underdog and you will find that my themes celebrate the triumph of beating adversity, along with treating people with respect, love and kindness wherever possible.

A&B: Tell us the most positive and uplifting advice you have been given while working as a creative person.

DE: For me I think the most important piece of advice I have been given from multiple people is it to write to identify with others, to connect with people and explore similar emotions. I have learnt to appreciate hard work and perseverance throughout my lifetime but especially through my collaborations with Cendrine, as she is one of the hardest working artists I have ever found in my lifetime!

I write with a very clear purpose and an audience in mind. I want to help, encourage, motivate, stimulate, inform, enchant, thrill, prompt and transcend. I want to make people fall in love with the written word, to let the euphoria take them to places they could only dream of and to get people achieving their literary goals. We are a community of like-minded individuals and we should always strive to what is best for each other.

Bio:

David Ellis lives in Tunbridge Wells, Kent in the UK. He is an award-winning poet, author of poetry, marketing workbooks/journals, humorous fiction and music lyrics. He is also the co-founder of Auroras & Blossoms, and the co-creator of PoArtMo (Positive Actions Rally Thoughts & Momentum) and the Kindku.

David’s debut poetry collection (Life, Sex & Death) won an International Award in the Readers’ Favorite Book Awards 2016 for Inspirational Poetry Books.

David is extremely fond of tea, classic and contemporary poetry, cats, and dogs but not snakes. Indiana Jones is his spirit animal.

Website: http://toofulltowrite.com

David, thank you for answering our questions and supporting Auroras & Blossoms! We know that people will love your work as much as we do!

The Auroras & Blossoms PoArtMo Anthology: Volume 4 is available! Click here to purchase your copy.

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