Author: Auroras & Blossoms Page 3 of 36

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Dark Side of the Moon – Navika Dasani

When
Wildflowers wilt,
And
Birdsong turns into a lone caw
And
Lush grass turns yellow;
That’s when
We’ll go.

When
The iron fence starts to rust
And
Wooden deck chairs decay
And
Wind chimes fall apart;

When
Music we love becomes outdated
And
Books we read go out of print
And
Things we treasure seem worthless;

When
Skin around our mouths wrinkles
And
Our bodies don’t work the same
And
Every breath is a countdown;
That’s when
We go and
Our life begins.

About Navika Dasani

Navika Dasani has been writing poems officially since the sixth grade, but her writing journey started from the moment she was born. When she is not busy writing, you will find her singing, reading, fencing, studying, or cooking; but she’s always telling stories.


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Two Poems – Katie Kenney

April

A morning
light to
unfurl all
greening, all new

Mabel

Tuesday, the cat soft in sleep
as days bright in Spring
noon lingers, parting the clouds

About Katie Kenney

Katie Kenney studied publishing at University of Denver’s Publishing Institute and received her MFA in Creative Writing from Western Washington University. Her poems have appeared in Grub Street Literary Magazine, Moss Puppy Magazine, and Beneath the Garden Magazine. She lives in New England with her cat Mabel.

Website: https://katieelizabethkenney.com


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‘The Day Before’ – Linda Imbler

I wonder what my mother did
the day before I was born:
I think she went to the movies,
I think she looked at the sky,
I think she ate her favorite lunch,
and chased it down with some pie.
I think she kissed my father,
I think she fed the birds,
I think she sat and pondered on
the clues in her crosswords.
I think she felt me moving,
I think she felt me kick,
I think she was ready to see me,
and wanted to do it quick.
I think she dreamed her dreams,
I think she hoped her hopes,
I think she was wishing the best for me,
and prayed she’d learn the mommy ropes.

About Linda Imbler

Linda Imbler’s poetry collections include ten published paperbacks: Big Questions, Little Sleep First Edition, Big Questions, Little Sleep Second Edition; Lost and Found; Red Is The Sunrise; Bus Lights; Travel Sight; Spica’s Frequency; Doubt and Truth; A Mad Dance; Twelvemonth; and Viewpoints While In Rome. Soma Publishing has published her four e-book collections, The Sea’s Secret Song; Pairings, a hybrid of short fiction and poetry; That Fifth Element; and Per Quindecim.

Website: https://lindaspoetryblog.blogspot.com/


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‘Bobby’ – E.P. Lande

I named him Bobby because he was born with “socks”. When he was old enough to leave his family nest, Bobby made a home for himself in a cut-off water tube that José had attached to the wall in the coop where most of our hens congregated. It wasn’t long before Bobby attracted a pure white pigeon who came to live with him, for Bobby was a very handsome pigeon. Every day, I would see them flying around the coop or nestled together in the cut-off water tube. They appeared to be a happy couple.

Several days ago, as I was emptying the wheelbarrow in the manure pit, I saw white feathers scattered on the ground: one of our pigeons had been taken during the day by one of the hawks that fly around our stable searching for prey. That afternoon, all our birds flew back into the coop, but Bobby was alone in his cut-off water tube; his mate hadn’t returned.

Later, when I came to the coop to give the chickens, roosters, and guinea hens their treats — canned corn and lettuce — I looked for Bobby’s mate, but only Bobby was perched at the entry to their cut-off water tube. While he was alert, I noticed that he was looking around, as though his mate was somewhere nearby. I worried. Were the feathers I had discovered those of
Bobby’s mate or, of another white pigeon?

Every time I woke up during the night, I checked my iPhone, for we have cameras installed in the coops, but Bobby’s mate hadn’t returned. All the following day, Bobby remained at the entry of his cut-off water tube, waiting. Then, during the second day after his mate’s disappearance, I saw Bobby welcoming another pigeon to his home: a mixed blue and white female, a widow who had lost her mate to a hawk about six months before; she was the only widow in our flock and she owned a box attached to the wall under a window in another part of the coop.

“José,” I called out to my partner, “come here. Look.”

All day, Bobby flew in and out of his cut-off tube while the blue-and-white female pigeon rearranged the straw, making it “hers”. When I turned the lights off at the end of the day, the two were side by side, nestled on the straw mat in the cut-off tube.

The following morning, when I entered the coop to clean and give the birds their treats, I couldn’t find Bobby. Using the flashlight of my iPhone, I checked…and there he was, hidden in his cut-off water tube at the back of his new mate, asleep.

About E.P. Lande

Born in Montreal, E.P. Lande has lived in the south of France and now, with his partner, in Vermont, writing and caring for more than 100 animals. Previously, as a Vice-Dean, he taught at l’Université d’Ottawa, and he has owned and managed country inns and free-standing restaurants. Since submitting less than three years ago, more than 100 of his stories — many auto-fiction — and poems have found homes in publications on all continents except Antarctica. His story “Expecting” has been nominated for Best of the Net. His debut novel, Aaron’s Odyssey, a gay-romantic-psychological thriller, has recently been published in London.


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‘Love and Other Magic’ – Matthew Spence

Madame Tansy was a self-described witch who lived in a quiet cul de sac on the edge of town, next to a stretch of wild, untamed forest. She wasn’t the kind of witch with green skin or a crooked hat (though she did own one for Halloween). No, Tansy was a “rent-a-witch,” the kind you could book for hexes, blessings, house clearings, or an herbal sachet to keep your mother-in-law from dropping by unannounced.

She had business cards printed on pressed lavender paper that read:

Madame Tansy
Rent-a-Witch Services
“No problem too big, too small, or too weird.”
Love spells, luck charms, cursed item removal, spirit negotiations.
Inquire within. No refunds.

Her house was full of ivy, cats that came and went, jars that rattled on their own, and the smell of rosemary and old books. She had a steady stream of clients—lonely folks, skeptical teens, desperate exes, and the occasional conspiracy theorist.

One gray spring morning, a knock came at her door. She opened it to find a couple—mid-thirties, respectable in the way freshly ironed people are. The woman introduced herself as Rachel, and her husband as Tom. Their smiles didn’t match. Rachel’s was tense and too quick. Tom’s was hesitant, as if he had lost the knack for it.

“We’re here,” Rachel said carefully, “about a love spell.”

Tansy raised an eyebrow. “You want to fall in love again?”

Rachel laughed nervously. “No. We already are. Were. We just… We’ve been having problems. Fights. Distance. And we thought maybe some magic could help.”

Tom cleared his throat. “We’re not superstitious or anything. But we figured… can’t hurt, right?”

Tansy smiled a smile that had seen many such requests. “Love spells don’t make love. They stir it up, pull it forward. Sometimes that’s good. Sometimes…” She let the sentence trail into the scent of burning mugwort. “Come in.”

They sat in her cluttered parlor. Rachel held Tom’s hand tightly, as if it might disappear. Tansy mixed herbs—damiana, rose, cinnamon, vervain—into a clay bowl, murmuring words older than fences and plastic. When the ritual was complete, she gave them each a charm: tiny glass hearts with
threads of red thread wound inside.

“Sleep with these under your pillow. For three nights. Then come back.”

They left, hopeful, wary, relieved.

Three days passed. They returned. Tansy opened the door before they knocked.

“Well?” she asked.

Rachel’s eyes were red. Tom looked tired.

“We didn’t fight,” Rachel said.

“But we didn’t talk either,” Tom added.

“It’s like the spell made everything quiet. But not… fixed.”

Tansy nodded slowly. “Love’s not a potion, darlings. It’s a garden. You don’t pour glitter on dead roots and expect roses.”

Tom blinked. “So what do we do?”

Tansy motioned for them to sit again. This time she didn’t reach for herbs.
She reached for a deck of soft, worn cards. Tarot.

“Let’s see what kind of magic you really need.”

She dealt three cards. The Lovers—reversed. The Tower. The Wheel of Fortune.

“Oof,” Tansy muttered. “That’s not hearts and roses.”

“What does it mean?” Rachel asked, gripping Tom’s hand again, this time less out of love and more like a reflex.

“It means something broke,” Tansy said gently. “Or needs to. Not your marriage necessarily—but a pattern. Something between you that’s been holding everything else hostage.”

Tom looked down. “My job keeps me traveling. I’ve been gone more than I’ve been home.”

Rachel didn’t say anything, but the air tightened. Tansy leaned forward. “You want the real magic? Try this. Every night for a week, write one truth on a piece of paper. About yourself. Not each other. Something you’ve
been too afraid to say aloud.”

Rachel frowned. “That’s not really a spell.”

“Oh honey,” Tansy said with a knowing smirk, “Truth is the most dangerous magic there is. Especially between two people who want to love each other.”

They left, not smiling, but thoughtful.

Weeks passed. Tansy forgot about them in the way one forgets leaves on a river. She had other clients—one woman needed her haunted coffee table exorcised, another needed a spell to stop attracting narcissists.

Then, one sunny afternoon, she found a note slipped under her door. It read: “We did what you said. It hurt. It healed. He’s quitting his job. I’m starting my art again. We don’t need the spell anymore. But thank you for the real magic.—R & T”

Tansy smiled and tucked the note into a drawer full of similar things—thank-you notes, old photos, tiny tokens.

Because sometimes the best magic wasn’t found in cauldrons or candles.

Sometimes it was found in courage.

And truth.

And the quiet work of choosing each other again.

Every day.

Just like magic.

About Matthew Spence

Matthew Spence was born in Cleveland, Ohio. His work has most recently appeared in Gaslamp Pulp.

Website: https://www.facebook.com/WestVirginiaRebel


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